11 Novembre 2017
TEATRO SATANICO + DIE ZWEI
live @ ZIGGY (Torino - Italia)
Ziggy Club
Via Madama 66
TORINO
Concerts start: 21:30
a seguire dj set di
Black Ossian
Faith
Lesley
https://www.facebook.com/events/1995336730702394
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November 17th 2017
Teatro Satanico + Niedowierzanie + Escama Serrada + Coàgul
live @ CLUB ROSAS CINCO (Barcelona - Spain)
Club Rosas Cinco
Carrer d'Atenes 5
BARCELONA
Concerts start: 23.00
Este próximo viernes 17 de noviembre del 2017 tendrá lugar la presentación de "MEGABOMB", un split a cuatro bandas que publica el sello francés Obscène et Anémique en formato cassette. La premisa básica para este recopilatorio era que los músicos participantes, todos pertenecientes al contexto de lo que se ha venido a llamar música electrónica post-industrial, aportaran temas que sacaran a relucir su lado más "bailable" dentro de sus límites estilísticos. Para tal efecto, la presentación consistirá en las actuaciones de los cuatro proyectos centrándose en la ejecución del material que cada uno haya aportado a la cinta.
Sin más preámbulos, estos son sus nombres:
TEATRO SATANICO (Venecia, 1993)
NIEDOWIERZANIE (Marsella, 2008)
ESCAMA SERRADA (L'Ametlla del Vallès, 2008)
COÀGUL (Barcelona, 2009)
El lugar elegido será ni más ni menos que el Cinco Rosas, uno de los más selectos clubes BDSM de la ciudad condal.
https://www.facebook.com/events/506239236383364
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in Tony Dickie's COMPULSION MAGAZINE a review of FRIENDS & FIENDS, latest full length album by Teatro Satanico
http://compulsiononline.com/TeatroSatanico_FriendsandFiends.htm
Teatro Satanico - Friends and Fiends
I think this has been out quite sometime but it's been ages since we've covered Teatro Satanico. In the past Teatro Satanico have sung about Austin Osman Spare, Jack Parsons, Pasolini and even the child conceived between Satan and Rosemary Woodhouse in the Roman Polanski film of Ira Levin's novel Rosemary's Baby. Friends and Fiends features tracks devoted to and inspired by occultists, artists, poets, terrorists, serial killers, porn stars and others who have made a mark on this Italian group active since the early nineties. They're are some dubious characters featured in Friends and Fiends but really what do you expect from a group who used to go under extended names varying around Teatro Satanico Charles Manson. Friends and Fiends evolved from a number of tracks that have appeared elsewhere but they've been recomposed and reconfigured into new forms making this something of a new album.
Much of Friends and Fiends bustles to Teatro Satanico's more electro-rhythmic pieces but they also adopt some different approaches where they really come into their own, highlighting their musical influences as they shed light on their multifarious inspirations. Friends and Fiends opens to 'Ulrike Meinhof', the German far-left terrorist and member of the Red Army Faction, with its pulsing electro beats and distant vocals. 'Disco Cianciulli' opts for a minimalist techno sound, firing off frequencies and electro bleeps over quavering beats as rougher vocals slightly treated intone the lyrics about Leonarda Cianciulli, a famous Italian serial killer who drugged, murdered and then disposed of her victims bodies by boiling them in caustic soda before turning them into soap, earning her the nickname the "Soap-Maker of Correggio". 'Ilse Koch', meanwhile, offers pumping electronics amidst spirals of dense guitarwork and twisted vocalisations. By this point we've dealt with a German terrorist, an Italian serial killer and Ilse Koch, the wife of the commandant of the Buchenwald concentration camp who also earned the distinction of being named in a title of an early Come Org compilation album. By this point it might seem that Teatro Satanico have laced the music Jim Jones Kool-Aid style with appealing rhythms and beats for the more dubious characters on Friends and Fiends. That's not so though. 'Sonido de Independencia' is part EBM and part synth-pop, as they sing of Leonid Ivanovic Rogozov, a Russian doctor who while stationed in Antarctica performed self-surgery and successfully removed his appendix.
Likewise, Friends and Fiends is at its best when Teatro Satanico remove the expected elements in the form of beats and rhythms and frame the characters in amongst other appealing musical settings. For instance, the second track, 'La Sophiale De Montparnasse' is a slow electro ballad wrapped around glinting sweeping synths draped in powerful wailing from Lady Ghost Laura Agerli and the deep tone accompaniment of DeVis dedicated to Maria De Naglowska, a Russian sex-magician and author who mixed with the Surrealists in Paris during the 1920s and 1930s. The influence of Coil seems to steep into the music of many Italian musicians we've reviewed such as Maria Nascenti and TAC and there light still seems to shine here. The Euro ballad 'Mondo Cane' with its aching vocal over atmospheric synths would have fitted nicely on Black Sun Productions' OperettAmorale, where they interpreted the works of Bertolt Brecht. Of course this one isn't written by Brecht but here Teatro Satanico tackles Yves Klein's troubled association with the "shockumentary" exploitation movie Mondo Cane which provided a distorted take on his blue painted models pressing their bodies against massive canvasses. We're still in the Coil universe on 'Virginia' where slow textured electronics, atmospheric synths and guitar arpeggios give way to slow, accented voice reciting T.S. Eliot's poem Virginia. There's nothing shocking here and it is clear Teatro Satanico are moved by Eliot's words on the struggles of life.
Backing up a bit, 'Under The Bamboo Tree' is based on another T.S. Eliot poem where a bizarre concoction of voices are treated, stretched and layered over a percussive interplay of Laurie Anderson styled drums and electronic rhythms attaining something of an oriental feel. Sombre electronics feature on 'Nero Viani' where the low pitched spoken and serene vocals are based on the Ostia born Italian artist and writer Lorenzo Viani whose work focussed on outsiders in the form of the poor, despondent and mentally impaired. 'Void' concerns itself with the anonymous S.V. and the chiming electronics are heightened by choice lyrics such as "Put your finger, put your finger up your... fuck your soul". Whoever S.V. is/was they must have been quite a character.
Towards the end Friends and Fiends veers between a 19th century Satanist and a seventies porn star. The Hi-NRG electro strokes of 'Mary Mary (Come Play With Me)' are accompanied by teasing lascivious couplets dedicated to Mary Millington, while 'Là-bas' combines passages of atmospheric textures and electro sequences that figure through-out Friends and Fiends, as Teatro Satanico invoke the spirit of J.K. Huysmans.
Perhaps Teatro Satanico have never received the attention they deserve as their lyrics for the most part are delivered in their native Italian tongue. It's a shame as Friends and Fiends, much like their other material is engaging, sometimes serious and sometimes darkly humorous. It's as musically diverse as the personalities covered. Friends and Fiends is something of a history lesson but it is an enlightening peek into the inspirations and influences of this long-running Italian project.
the cd album is available here:
http://www.oldeuropacafe.com/en/catalog/category/friend-finds.html
or here:
http://www.teatrosatanico.it/it/discografia.html?d=friends-fiends.html
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BEES , new K7 album by "DE is on & DE v is"
LUCE SIA is particularly proud to announce its release n. 042, out today!!
After a split cassette in 1997, «Bees» is in fact the first collaboration ever between the two historical Italian experimenters Deison and Devis G.
Deison and Devis worked meticulously, but in an instictive and natural way to this project, inspired by the natural order of things, by bringing piece after piece sounds, texts and rhythms, gathering them together to build a complex structure, like bees do.
Out in a limited edition of 60 numbered copies, with download code!
for infos and contacts:
or
https://www.facebook.com/LuceSiaLabel
June 9th 2017
@ MOVE (Berlin, Deutschland)
LIBER NULL BERLIN / TOTAL BLACK - FILTH III
9 June 2017
starting from 22:00
MOVE
am Südhaus 2, Berlin, Germany
Details
Teatro Satanico - live ( IT _ Old Europa Cafe )
Aktion Mutante - live ( IT/DE _ Violet Poison & Unhuman )
Thought Broadcast - live ( US/DE _ Editions Mego)
Venerence - live ( NYC _ Total Black / Chondritic Sound )
Entertainment - dj set ( Total Black )
Sirio Gry J B2B MXM ( Liber Null Berlin )
Unhuman ( Liber Null Berlin / AmokTapes / Veleno Viola )
Nullam Rem Natam - action ( Liber Null Berlin )
FILTH III
This time the event will take place in the basement of the special venue Agora Rollberg. A Berlin-based experimental center for contemporary practices, devoted to reflect on alternative models for cultural, social and economical production. This art-space provides the right environment to showcase the strong and widely developed artistic side of FILTH. Agora Rollberg offers the chance to develop a diverse program in the fields of arts by setting ideal conditions to showcase the aesthetics of the project.
LIBER NULL is a postmodern project that emphasizes the pragmatic use of belief and creates avant garde and unorthodox methods seeking a perceptive access to underground music and art.
https://www.facebook.com/events/1414060821998099
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Friends & Fiends
new full length CD album by Teatro Satanico
CD Digipack (OECD 231)
full-lenght cd album released thru OLD EUROPA CAFE, catalog number OECD231
collecting songs inspired by / dedicated to:
Ulrike Meinhof, Maria De Naglowska,
Giuseppe Pansardi e Leonarda Cianciulli,
Laurie Anderson, Ilse Koch,
Leonid Ivanovic Rogozov, Yves Klein,
Thomas Stearns Eliot, Lorenzo Viani, S.V.
Mary Millington, Joris-Karl Huysmans
Tracklist
01. Ulrike Meinhof
02. La Sophiale de Montparnasse
03. Disco Cianciulli
04. Under the bamboo tree
05. Ilse Koch
06. Sonido de Independencia
07. Mondo Cane
08. Virginia
09. Nero Viani
10. Void
11. Mary Mary (come play with me)
12. Là-bas
alternative video clip edit here:
cd album is available here:
http://www.oldeuropacafe.com/en/catalog/category/friend-finds.html
or here:
http://www.teatrosatanico.it/it/discografia.html?d=friends-fiends.html
ITALIAN LANGUAGE REVIEW by Diego Loporcaro
http://www.distorsioni.net/canali/dischi/dischi-it/friends-fiends
A cinque anni dal precedente “Fatwa” Teatro Satanico, Devis Granziera e Roberto “Kalamun” Pasini, tornano con questo nuovo “Friends & Fiends” (Amici e Demoni), sempre su Old Europa Cafe. Il disco include una dozzina di tracce ispirate e/o dedicate ad alcuni personaggi “fuori dagli schemi” che hanno influenzato e accompagnato la crescita culturale dei due musicisti veneti. Apre le danze il remix di Ulrike Meinhof (già singolo nel 2011), poderoso brano ebm dedicato alla omonima terrorista tedesca di estrema sinistra. La Sophiale de Montparnasse (dal soprannome dell’occultista russa Maria de Naglowska, esperta di magia sessuale, dopo il suo trasferimento a Parigi negli anni ’30) è una misteriosa ballad che ricorda i Coil, cantata da Devis G. e Laura Agerli dei Die Zwei. Nel remake di Disco Cianciulli (singolo del 2011 dedicato alla serial killer Leonarda Cianciulli e suo figlio Giuseppe) i Klinik incontrano la minimal techno in una soluzione che piacerà agli amanti dell’elettronica a 360° (industrial, ebm, techno, minimal). Under The Bamboo Tree è una poesia dello statunitense Thomas Stearns Eliot (poeta appartenente alla corrente del “modernismo” della prima metà del ‘900), adattata su una base synth-pop orientaleggiante, ispirato alle stravaganze esotiche di Laurie Anderson in “Mister Heartbreak”. Il remix della DAF-iana Ilse Koch (già b-side di Ulrike Meinhof nel 2011) è dedicata alla “strega di Buchenwald”, moglie di Karl-Otto Koch (comandante del campo di concentramento di Buchenwald in Germania), tristemente nota per le atrocità commesse all’interno del campo. Sonido De Independencia (già edita nel 2013 sulla compilation “Recuerdos Del Futuro” e dedicata a Leonid Rogozov, medico russo noto per essersi operato di appendicite da solo durante una spedizione in Antartide nel ‘61) si ispira al sound di Valencia di fine anni ’80, un mix tra synth-pop, new beat belga e Detroit techno. Mondo Cane, brano atmosferico di grande pathos, già edito nel 2013 nella raccolta “XX” per il ventennale del Teatro, è invece dedicato al pittore Yves Klein, precursore della body art. Virginia è un’altra poesia di T. S. Eliot, questa volta adattata su una malinconica ballad fatta di synth eterei, chitarre acustiche arpeggiate e percussioni metalliche alla E.Neubauten. L’influenza musicale dei Coil torna in Nero Viani, dedicato al pittore “dell’orrido e della miseria” Lorenzo Viani, e in Void (vuoto), dedicato ad una sconosciuta S.V. a cui Granziera urla “put your finger in your vulve and fuck your soul”. Le atmosfere oniriche lasciano spazio alla synth-poppeggiante Mary Mary (Come Play With Me), in cui Devis recita una filastrocca dedicata alla pornostar britannica degli anni ‘70 Mary Millington, morta suicida. Chiude Là-Bas (laggiù), cantata in francese da Kalamun su un testo ispirato al romanzo omonimo (il primo sul satanismo nella Francia dell’ottocento) dello scrittore Joris-Karl Huysmans e musicalmente basata su sonorità analogiche vintage in un incedere ossessivo e allo stesso tempo melodico. Friends & Fiends è indubbiamente l’album più variegato e maturo di Teatro Satanico e di Granziera, uno sperimentatore che continua a stupire e a spiazzare dopo venticinque anni, riuscendo anche a inserire elementi di ironia in un settore spesso troppo serioso e autoreferenziale.
Voto: 9/10
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Angst vor der Angst
by TEATRO SATANICO
10" / Lathe Cut (OEMP 017)
Limited Edition 23 copies
Special exclusive 10" lathe-cut vinyl released for TEATRO SATANICO by OLD EUROPA CAFE
FEAR + DUST + ANGST VOR DER ANGST
3 noisy angst-ridden post-industrial tunes with a sort penchant for post-punk hooks.
Haunting and spectral words wailing and surging out of the beat&drones maelstrom.
Squalls and smash storm riffs drifting off into the ether and down into abyss.
Truly original angst musick that will linger in the darker recesses of your soul.
Three tracks dealing with "fear" and "fear of fear"..
Tracklist:
A1. Fear
A2. Dust
B1. Angst vor der Angst
AVAILABLE SOLELY & ONLY HERE:
http://www.oldeuropacafe.com/en/catalog/category/fear-dust-/-angst-vor-der-angst-cong.html
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Der Tod In Venedig (second expanded edition)
Reissued and Remastered full-lenght cd album released by Russian label UFA MUZAK , catalog number UFA72
full-lenght cd album packed in 4-sided digipack A5. Standart edition 170 copies
Also available 30 copies with HERB BALSAM 43% alc. 0,1l bottle inside branded boxes
Tracklist:
1. Der Tod in Venedig
2. Canto XLV
3. Petrolio
4. Ihr seid Zuviel
5. Altar Knotto (meditazioni delle vette)
6. Suicide mode d'emploi
7. The Owl
8. Visions have been considered illusions
9. La Farmacia dell'Angelo (live in Milan, 2013)
released by UFA MUZAK
available here:
http://ufa-muzak.narod.ru/r13.htm
and also here:
http://www.teatrosatanico.it/it/discografia.html?d=der-tod-in-venedig-second-expanded-edition-.html
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@ Kindergarten (Bologna)
XIII CONGRESSO POST-INDUSTRIALE
OLD EUROPA CAFE Presents:
XIII CONGRESSO POST INDUSTRIALE
April 29 2017
club KINDERGARTEN
Via Calzoni 6 - Bologna - Italy
Doors Open: 20:30
Concerts start: 21:00
DON'T BE LATE!
With real great pleasure, after long years of absence from Italian and European stages, we are going to present as headliner of the next CONGRESSO POST INDUSTRIALE:
§ Mr. BOYD RICE / NON (USA)
Musician / Author / Journaliest / Archivist / Painter / Actor / Religius Researcher and much more.....
§ TEATRO SATANICO (Italy)
ItaliK SataniK ElelktroniK since 1993
A sweet & industrial Theater of Sins
§ AWEN (USA)
Dense percussion and howling tension of hungry gohosts
An evocative Industial / Neo-Folk Rite
§ CARNERA (Italy)
Elektronika, powerful and beating as Primo Carnera,
the Italian boxing world champion of the 1930's.
Plus after Congresso live-set by
TRAENENE DER SENSUCHT
https://www.facebook.com/events/376493636037957
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FRIENDS & FIENDS
new full length CD album by Teatro Satanico
CD Digipack (OECD 231)
full-lenght cd album released thru OLD EUROPA CAFE, catalog number OECD231
collecting songs inspired by / dedicated to:
Ulrike Meinhof, Maria De Naglowska,
Giuseppe Pansardi e Leonarda Cianciulli,
Laurie Anderson, Ilse Koch,
Leonid Ivanovic Rogozov, Yves Klein,
Thomas Stearns Eliot, Lorenzo Viani, S.V.
Mary Millington, Joris-Karl Huysmans
Tracklist
01. Ulrike Meinhof 02. La Sophiale de Montparnasse 03. Disco Cianciulli 04. Under the bamboo tree 05. Ilse Koch 06. Sonido de Independencia 07. Mondo Cane 08. Virginia 09. Nero Viani 10. Void 11. Mary Mary (come play with me) 12. Là-bas
alternative video edit here:
https://www.youtube.com/watch?v=D85jforcCdE
the cd album is available here:
http://www.oldeuropacafe.com/en/catalog/category/friend-finds.html
or here:
http://www.teatrosatanico.it/it/discografia.html?d=friends-fiends.html
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ANGST VOR DER ANGST
by TEATRO SATANICO
10" / Lathe Cut (OEMP 017)
Limited Edition 23 copies
Special exclusive 10" lathe-cut vinyl released for TEATRO SATANICO live set at the XIII CONGRESSO POST INDUSTRIALE to be held in Bologna at club KINDERGARTEN on April 29 2017.
This item will be first offered at the venue, sorry we are not acepting pre-orders on that item but only reservations for those who will visit the venue. If any copy left we will offer them here after the venue but price will be more expensive.
FEAR + DUST + ANGST VOR DER ANGST
3 noisy angst-ridden post-industrial tunes with a sort penchant for post-punk hooks.
Haunting and spectral words wailing and surging out of the beat&drones maelstrom.
Squalls and smash storm riffs drifting off into the ether and down into abyss.
Truly original angst musick that will linger in the darker recesses of your soul.
Three tracks dealing with "fear" and "fear of fear"..
Tracklist:
A1. Fear A2. Dust
B1. Angst vor der Angst
http://www.oldeuropacafe.com/en/catalog/category/fear-dust-/-angst-vor-der-angst-cong.html
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Der Tod In Venedig (second expanded edition)
Reissued and Remastered full-lenght cd album released by Russian label UFA MUZAK , catalog number UFA72
full-lenght cd album packed in 4-sided digipack A5. Standart edition 170 copies
Also available 30 copies with HERB BALSAM 43% alc. 0,1l bottle inside branded boxes
Tracklist:
1. Der Tod in Venedig
2. Canto XLV
3. Petrolio
4. Ihr seid Zuviel
5. Altar Knotto (meditazioni delle vette)
6. Suicide mode d'emploi
7. The Owl
8. Visions have been considered illusions
9. La Farmacia dell'Angelo (live in Milan, 2013)
released by UFA MUZAK
available here:
http://ufa-muzak.narod.ru/r13.htm
and also here:
http://www.teatrosatanico.it/it/discografia.html?d=der-tod-in-venedig-second-expanded-edition-.html
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VIVA ITALIA
Russian language book + quadruple CD compilation featuring a couple of old sick harsh-noise early 1990s tracks :
...
The book contains 785 pages of text, the size is 21?25 cm, the weight is about 2 kg. This edition is strictly limited to 700 copies. Please note: all the text is in Russian only! Some artists were featured in IEM podcasts, as well as their music, with the intention to represent their creative attitudes at its best. Unfortunately, the idea of the book doesn't allow to achieve the same goal, but it's accompanied by the quadruple CD compilation of the same title, where you can find the exclusive pieces by many italian artists, provided specially for this project and never released before. All the articles are grouped into five chapters: early electronic music (1955-1980), academic music, new wave and industrial scene (1980-1984), music from pre-digital stage (1985-1995) and all the contemporary scene (1996-2015). The last two chapters consists of independent labels review and the interviews with musicians, most of those were intended to be included in IEM magazine which was never published after 2003. VIVA ITALIA book presents the historical overview of experimental music, it's the compilation of numerous articles about the artists and labels appeared in Italy during the recent 60 years. The author's view to their work and impact to the world of art, the first ever attempt in Russia of approach systemically to the knowledge about the cultural phenomena of experimental, industrial, noise, electroacoustic, avantgarde and other unusual music coming from Italy. Here you can find the information about more than 800 musicians, their photos and detailed descriptions of their albums.
The quadruple cd compilation comes in hardcover digibook with silver foil embossing and inner wallets made of black paper, silver ink silkscreen printing. It's the part of the project and cannot be ordered separately. Each CD contains about 80 minutes of music, the total duration of the program is more than five hours! SSHE Retina Stimulants, The Tapes, Sparkle in Grey & Nicola Ratti, Stefano Pilia, Andrea Belfi, Massimo Carozzi, Fabio Orsi, F.ormal L.ogic D.ecay, Daniele Brusaschetto, Gaetano Cappella & Enrico Coniglio, Marcello Fraioli, Stefano Barban, Malato, Alessandro Bosetti, DsorDNE, Alessandro Geo, Murder Corporation, Andrea Marutti, Microloop, Claudio Rocchetti, Sostrah Tinnitus and Wuornos Aileen. Lyke Wake, F:A.R., Gerstein, Giancarlo Toniutti, Tasaday, Luca Miti & Francesco Michi, Mauthausen Orchestra, Raffaele Serra, Mauro Teho Teardo, Riccardo Sinigaglia, Enrico Piva, Maurizio Bianchi, Le Forbici Di Manitù, Capricorni Pneumatici, Cupio Dissolvi, Deca, Atrax Morgue, Lunus, Paolo Veneziani, Regivar, AlioDie & Opium, Runes Order, T.A.C., Teatro Satanico, Bad Sector, Tingis, Cold Cluster, Audax Italiano, Digital Noise Distortion, Fantasmagramma, NeitherNor, S.Talker Inc., SEC_, Le Cose Bianche, Fabio Perletta, Ashtool, Giulio Aldinucci
Released by MONOCHROME VISION, edited by Dmitry Vasilyev http://vivaitalia.xyz/?menu=1&lang=2
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NECROSICK
Necrophonix , a collaborative project of Davide Tozzoli (aka N. ) and Devis Granziera released a new album, "NECROSICK", released as audiocassette by LUCE SIA
Catalog number LUCE SIA 018
for infos and contacts:
or
https://www.facebook.com/LuceSiaLabel
here a glimpse of the opening track thru' the tube:
https://www.youtube.com/watch?v=Ce7pfmeIWp4
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…
sooner or later we will reply to any sensible letter
_____
To unscribe go to
MONDO CANE (à Yves Klein)
video shoot and edited by Gerardo Lamattina and Gerardo Guarini of medialabstore.it
musick by Teatro Satanico, song from XX album ( http://www.teatrosatanico.it/it/discografia.html?d=xx.html )
here:
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NOV 28 Blu-Marte Acquology. Oceano Interiore
LIVE @ Teatro Comunale, piazza Garibaldi, Massafra (TA)
h.21.00 Silvia Kastel plays on LA RAGAZZA DELL'ACQUA (1925) , un film di Jean Renoir
h. 22.15 NECROPHONIX (Lunus & N.) play on LA SUPPLICA (1967), un film di Tengiz Abuladze
https://www.facebook.com/events/1522138041366719
NECROPHONIX è il moniker che dal 2013 Davide Tozzoli (alias N.) e Devis Granziera (alias Lunus) usano per la pubblicazione delle loro produzioni audio. Il progetto affonda le sue radici in un passato pluriventennale, quando Devis Granziera cominciò a sperimentare con il materiale presente nello studio di P. Marzi, il cui banco mixer diventò come una sorta di tavolo autoptico dove sezionare e selezionare ore ed ore di registrazioni. Parte di questo materiale audio è stato pubblicato nel 1990, con il moniker NEKROPHILIA, dalla tape-label SEMIOTEXTERIE di Treviso. Questa iniziale fase di sperimentazione e ricerca si esaurì nel giro di un paio d'anni per lasciare spazio ad altri progetti sorti nello stesso breve lasco di tempo, quali appunto il soprammenzionato Lunus, o il più noto Teatro Satanico. Nel 1996 Devis riprende in mano questo progetto mutando il moniker in NECROFILIA, con la collaborazione di Marco Corbelli (alias Atrax Morgue). Anche questa fase, meno sperimentale ma più espressionista, verrà interrotta nel giro di un paio d'anni, e ripresa poi nel 2006 con il moniker NECROPHONIE. A ribadire un approccio ancora più marcatamente raffrontabile all'espressionismo astratto le produzioni di questo terzo periodo saranno prive di titoli, anche se per comodità di catalogazione si usarono delle sigle per l'identificazione. Nel 2007, in seguito alla morte di Corbelli, il progetto subisce un ulteriore arresto. Carico di tutto questo passato NECROPHONIX porta avanti questo percorso audio, senza timore di inoltrarsi nei territori ostili, oggidì sempre meno alieni, del rumore.
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NECROPHONIX 3 (LMN)
Limited audiocassette edition
88 handnumebered copies with 88 minutes of noise
with mp3 DOWNLOAD CODE.
http://www.teatrosatanico.it/it/negozio/side-projects/necrophonix-3-lmn-.html
personnel list for this 3rd issue of Necrophonix:
Lunus (aka Devis Granziera) concept&recordings
Mauro Chiarotto drawings&recordings
N. (aka Davide Tozzoli) final editing&recordings
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27 Dicembre 2014
?ALOS + KHEM
live @ GABBA GABBA ROCK CLUB (Taranto)
?ALOS is Stefania Pedretti, also member of OVO and ALLUN
KHEM is a project by ZOS aided by the musick of Devis "deviLs" Granziera
infos:
https://www.facebook.com/events/340257779486719
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EVEN DEVILS HAVE A PAST (by deviLs g and fiends )
Audio-cassette compilation presenting various old 90s tracks that involved Devis G.
http://www.teatrosatanico.it/it/discografia.html?d=even-devils-have-a-past.html
printed by USA tape-label CUSS FETISH
available here:
http://cussfetish.bigcartel.com/product/mat003-devils-g-fiends-even-devils-have-a-past
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if you wish to directly contact us, please, use this email-address:
sooner or later we will surely reply to any sensible letter
that's all folks!__________
KHEM + NG + special guest LIVE
@ SPAZIO LIGERA (via Padova 133, MILANO )
in nextocoming JUNE 21st 2014
further infos here:
https://www.facebook.com/events/875842145763594
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YOUTUBE video of MACHINE BEGINS from NIHIL, latest LUNUS full-lenght album available via OEC or directly via Teatro Satanico official website ( http://www.teatrosatanico.it/it/negozio/side-projects/lunus-nihil.html ). Musick by Devis Granziera, visuals by Kalamun
http://www.youtube.com/watch?v=paaTNJ-HYyw&list=UU-ZWxMIcuTmzQXw7cbR_DgQ
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EVEN DEVILS HAVE A PAST (by deviLs g and fiends )
Audio-cassette compilation presenting various old 90s tracks that involved Devis G.
http://www.teatrosatanico.it/it/discografia.html?d=even-devils-have-a-past.html
printed by USA tape-label CUSS FETISH
available here:
http://cussfetish.bigcartel.com/product/mat003-devils-g-fiends-even-devils-have-a-past
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pics from latest Teatro Satanico live gig in Dresden:
https://www.facebook.com/photo.php?fbid=714446501949218&set=gm.280430198804409&type=1&theater
thanx to Ullrich, Martin and F. Stein
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Italian language review of KHEM "The Cross" ( http://www.teatrosatanico.it/it/negozio/side-projects/khem---the-cross.html )
KHEM,
The Cross
di Giulia A. Romanelli
Khem è un collettivo artistico e musicale con base operativa a Taranto, che si muove creativo e poliedrico nella realtà industrial italiana di stampo più “classico”. The Cross è l’ultimo lavoro di Cosimo “Zos” Mungheri, affiancato da Devis Granziera (Teatro Satanico) sia nella produzione sia nelle performance durante eventi del calibro del Destination Morgue.
In undici tracce, The Cross striscia tra agit-pop, noise ed enunciazione futuristica, una varietà di suoni e passaggi che l’intro “Babalon The Harlot” – che suona un dark ambient dal profondo – non lascia minimamente intuire. Il beat acido e metallico di “prof. Bad T.R.(ip) I.(n) P.(eace)” spezza infatti l’atmosfera precedente, si squaglia come droga e si mescola all’inchiostro delle illustrazioni dell’artista ligure in un gioco malato e lisergico. I ritmi scanditi e ripetitivi di “Fourth Way”, che proseguono con intense deviazioni ambient in “Psalm”, anticipano due brani cardine del disco: “The Cross” presenta una nenia profonda che fa da sfondo in modo leggero a una base noise ancorata alla metrica precedente, con percussioni lievi e distorsioni marcate. Lo stesso rituale di parole cantate e sussurrate a mezz’aria si propone in “Syrens Of Taras”, ricreando un’atmosfera surreale tra l’acquatico e lo spaziale, mutando suoni naturali in rumori sintetizzati. La voce di Cosimo prosegue incalzante e propagandistica in un trittico di denuncia-azione che si apre con “Pazienti Socialisti Khem”, un ritmo dub che racconta musicalmente la contaminazione della società odierna, tema esemplificato dal verso “La salute è una chimera” e approfondito in sottofondo da versi in lingua inglese. “Fatto Di Cronaca” è una filastrocca cinica e polemica che cita Carmelo Bene e recupera di nuovo il compianto Professor Bad Trip, mentre “Peggio” chiude in modo autoreferenziale e antimoralista un nucleo compatto del disco, al sapore di CCC CNC NCN. “Aiwaz” riporta l’ascolto verso i tamburi e i clangori sciamanici delle prime tracce, un’invocazione tra il naturale e il robotico che trasforma nuovamente in progressione lo strumento nel suono digitale. Dopo tante parole, quattro minuti e trentatré secondi di silenzio – con piccoli rumori sul finale – creano la traccia autonoma 4’33”e chiudono il disco in modo quasi ironico con un’ altra citazione di alto livello. The Cross mescola tanti ingredienti, riproponendo alcuni sapori a distanza di tempo e concentrandone altri – i più intensi e provocatori – in un’unica esperienza che lascia un piacevole e distruttivo amaro in bocca.
http://www.thenewnoise.it/khem-the-cross
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German language review of ON THE WIRE by ROMA AMOR album featuring Devis Granziera as guest musician (http://www.teatrosatanico.it/it/negozio/side-projects/roma-amor-on-the-wire.html)
ROMA AMOR: On The Wire
Man könnte es sich einfach machen und die Musik von Roma Amor als Chanson oder Folk bezeichnen. Das wäre nicht einmal wirklich falsch, auch wenn der eine Begriff zu speziell, der andere zu allgemein gehalten wäre. Mit ihrem Grundinstrumentarium aus Akordeon und Gitarre und dem leidenschaftlichem Gesang stehen Euski und Michele in einer Tradition, die sich durch das ganze zwanzigste Jahrhundert zieht, bei italienischen Volksliedern beginnt, Abstecher in die Cabarets der 20er und die Music Hall der 60er macht, um irgendwann bei einem frühen Europop zu landen, den schon der Geist des Punk’n'Wave durchweht. Ihre Songs können nett und einschmeichelnd sein, und gefallen zum Teil auch Leuten, die 17 Hippies mögen. Doch viele ihrer Lieder haben auch eine derbe, dreckige, ungezähmte Seite, lassen Gestalten zu Wort kommen, wie man sie aus frühen Pasolini-Filmen kennt und versuchen erst gar nicht, diese in eine nette, gemütliche Szenerie zu überführen.
Befand sich die Musik der beiden von Beginn an im Fluss, dann stellt „On the Wire“ so etwas wie eine Stromschnelle dar, denn das Album – und Besitzer der Vorab-EP „17.3“ wissen das bereits – hat einige Neuerungen in petto. Euski lässt ihre bisherigen Lieblingssprachen Italienisch und Französisch ruhen und singt diesmal komplett in englischer Sprache, wobei es sich um ein Englisch mit einem derart charmanten Akzent handelt, dass es uns Deutschen die Schamesröte ins Gesicht treiben muss. Darüber hinaus wurde das Klangspektrum merklich erweitert und dank einer Reihe an Gastmusikern (u.a. Devis von Teatro Satanico) hört man neben dem folkigen Grundgerüst auch Gitarrensoli und allerhand Lärm.
Mit einigen Stücken betreten die beiden Neuland, und bei der schmissigen Goth Punk-Nummer „About Myself“ bekommt man den Eindruck, dass die beiden ihre Freude an Verkleidungen und Rollenspielen haben. Unterkühlte, bei genauerem Hinhören jedoch hochemotionale Wavesongs wie „Don’t you“ oder das nur minimal über Spoken Words hinausgehende Kim Wilde-Cover „Cambodia“ wirken hier schon weniger exotisch, auch wenn sie einen veritablen Gegenpart zu groovigen Jazzsongs bilden („The Difference“, „Love to say goodbye for“), oder zu einem Song wie dem gar nicht ängstlich klingenen „Scared“, einem Ohrwurm im Easytempo, der sich gut in einem alten, loungigen Jess Franco-Film gemacht hätte. So eingängig solche Nummern auch sind – in einem gestylten Wohnzimmer müssten sie zwangsläufig stören, denn ehe der nostalgische Schöngeist sich versieht, findet er sich in einer verstaubten Antiidylle vor, in der zahnlose, barfüßige Figuren auftreten („More (Stoned)“) und mit David Bowies Worten ihrer Derangiertheit Ausdruck verleihen – doch während das Idol im Lost Highway-Abspann gerade durch den Widerspruch des Songs zu seiner schönen Gestalt bezaubert, nimmt man den Titel hier beim Wort und macht aus „I’m Deranged“ einen kaputten Synthiesong.
Insgesamt dominieren aber die Momente, in denen das Schöne und das Dreckige direkt zu einer Einheit verschmilzt, wenn shoegaziges Rauschen und nervige Computersounds verhindern, dass aus „17.3“ einfach nur ein süßlicher Lovesong wird, oder wenn folkiges Akordeon und rumpelige Drums im Titelstück für ehrliche, erdige Emotion sorgen. Die ist es letztlich auch, die „On the Wire“ von so manch ordinärer Weltmusik abhebt. (U.S.)
http://africanpaper.com/2014/04/19/roma-amor-on-the-wire/
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Italian language review of NIHIL by LUNUS ( http://www.teatrosatanico.it/it/negozio/side-projects/lunus-nihil.html ) plus another Italian language review of KHEM ( http://www.teatrosatanico.it/it/negozio/side-projects/khem---the-cross.html )
both in latest ROSA SELVAGGIA issue:
http://www.rosaselvaggia.com/recensioni_prim_2014_1_2.htm
KHEM
The Cross
CD (Old Europa Cafe)
Dopo il meritevole esordio del 2011 per l’ottima label svizzera ‘Show me your wounds’, il progetto tarantino di Cosimo ZOS Mungheri si trasforma in duo grazie all’apporto, nell’integrale scrittura dei brani quanto in fase produttiva, di Devis Granziera, mente di Teatro Satanico ed attore imprescindibile della scena industriale nostrana sin dal remoto 1993. Supportato in alcuni frangenti dalle voci dell’amico e concittadino Max Gravina di Terreni K (che trattiamo in queste stesse pagine in merito all’uscita del nuovo “Somber Aesthetics”), “The cross” abbandona parzialmente la ambient rituale di marca Coil e C93 (quelli primigeni) dell’esordio, avvicinandosi in parte alle più recenti produzioni di Teatro Satanico, ove elemento ritmico, voce declamata/recitata e sperimentazione dai tratti oscuri e rituali si sposano felicemente. Parecchi i nessi interessanti che incontriamo nel corso del disco, dai rimandi thelemici dell’iniziale “Babalon the harlot” al tributo al prematuramente scomparso Gianluca Lerici (musicista e poi grafico-fumettista della prima ondata punk toscana) di “Prof. Bad T.R.(est)I.(n)P.(eace)”; e come non citare le declamazioni in stile S.P.K (Sozialistisches Patienten Kollectiv) di “Pazienti Socialisti Khem”, mentre la mistica “Aiwaz” riprende ancora una volta le tematiche Crowleyane, di certo influenza imprescindibile nel background di Cosimo così come in quello di Devis. Taranto, città della tristemente controversa Ilva, polo industriale del nostro meridione che ancora una volta conferma di saper giocare un ruolo di primo piano quando si parla di italian grey area; le esalazioni malefiche delle sue industrie non generano solo morte e malattie, ma anche poesie e suoni distorti per la nuova generazione post industriale!
Info: https://www.facebook.com/khem.muzak?fref=ts
(Oflorenz)
LUNUS
“Nihil”
CD (Old Europa Cafè)
Lunus è il progetto solista di Devis Granziera, noto ai cultori dell’industrial per essere il fondatore dei Teatro Satanico. 10 le tracce presenti in “Nihil”. Suoni elettronici e noise che creano atmosfere claustrofobiche degne del miglior industrial. I brani che ho apprezzato di più sono quelli più ritmati come per esempio“Left hand path”, la litania industrial esoterica di “Mann Frau Gott” e la cavalcata industrial “Soli soli soli”. Un disco che cerca di reinventare l’industrial senza utilizzare stilemi ormai scontati, che hanno stancato, e che hanno connotato una realtà monotematica dalla quale siamo stati purtroppo sopraffatti. Degna chiusura di “Nihil” è il il brano d’atmosfera che ha dato il titolo all’album. Devis, come già con i Teatro Satanico, riesceanche con Lunus nel suo intento in qunato è in grado ancora una volta di dare nuova linfa vitale a un genere che oramai è già più di 30 anni che sforna dischi spesso troppo uguali tra loro. I cultori dell'industrial di classe e di qualità apprezzeranno questa nuova creatura di Lunus. Ottimo disco uscito in versione digipack con copertina disegnata da Saturno Buttò.
Sito web: http://www.teatrosatanico.it/
(Nikita)
Teatro Satanico live in Dresden, May 3rd, 2014
@ REITHALLE Strasse E
Werner-Hartmann-Strasse 2
01099 Dresden
Festival mit
TEATRO SATANICO (IT)
laptop-punk & post-industrial-pop tunes
http://www.teatrosatanico.it/...
JIKU55 (JP)
psychic noise core
http://soundcloud.com/jiku55
NIEDOWIERZANIE (FR)
cello based drone & experimental music
http://soundcloud.com/niedowierzanie
PARANOIZ (HU)
http://www.facebook.com/paranoise.H
Free-style improvisation and noise music
more information:
http://undergroundnoises.wordpress.com/15-years-of-club-debil/
event FB web-link:
https://www.facebook.com/events/246792502168179
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NIHIL
new LUNUS album available now
LUNUS (solo project by Devis Granziera) at his beAst: monochrome stark harsh beats, anti-drone musick and melancoholick post-industrial savour.
These gloomy tracks contain the bitter taste of older Teatro Satanico recordings. There are industrial noise reverberations and echoes emerging here and there before dissolving into strands of bursts of unbridled synthetic mangling.
And subsequently wisps of alien tones and sad shadows, a blurry recall from blackest emptiness.
Comes as a luxurious Digipack, with cover art by Italian maestro Saturno Buttò (www.saturnobutto.com), via OLD EUROPA CAFE'
Tracklist :
1. Machine Begins
2. Venetian Factory
3. Fear
4. A Morgue
5. Lithium
6. Left Hand Path
7. Mann Frau Gott
8. Soli Soli Soli
9. Lesson In Sorcery
10. Nihil
you may get it here:
http://www.teatrosatanico.it/it/negozio/side-projects/lunus-nihil.html
or here:
http://www.oldeuropacafe.com/main.php?nav=pd&prdct=12552
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devils g & fiends
even devils have a past
audio-cassette c92 ov rare esoteric electronikx recordings from veneto italia based devis granziera with various collaborative projekts spanning 1990-93!! fold out poster insert.
projekts include:
Nekrofilia,
R. Biasin Acid Vampire,
Jesus fucks Magdeleine,
Abrahadabra,
Laboratrio [previously unreleased!!],
Teatro Satanico Charles Manson
unfathomably honored to be able to assist with thee release ov these recordings!!
ltd 80 hand-stamped copies
more infos:
http://cuss-fetish.tumblr.com/
http://cussfetish.bigcartel.com/product/mat003-devils-g-fiends-even-devils-have-a-past
